-
Why are some people mosquito magnets? Clues are emerging
-
What if we killed all mosquitoes?
-
US 'golden generation' raises World Cup hosts' expectations
-
Oil climbs but markets shrug off US-Iran deadlock
-
New Zealand boss Rennie calls up Henry to be All Blacks selector
-
Mitchell magic as Cavs down Pistons to level series
-
Dengue outpaces virus-blocking mosquitoes in Brazil
-
'Seeds of instability': Health disinfo targets Philippine leader
-
Vitamins over vaccines: misinformation entrenched amid Indonesia measles surge
-
Keir Starmer: British PM fighting for his political future
-
Epstein files on display at New York pop-up exhibit, all 3.5 million pages
-
Cannes Film Festival opens, grappling with AI and Hollywood
-
India's Dravid to co-own Dublin Guardians in European T20 league
-
Little respite in Ukraine as air strikes ring out during Russia truce
-
EU agrees long-stalled sanctions on Israeli settlers
-
Fraught marriage of Frida Kahlo and Diego Rivera at heart of dreamy opera
-
Golfers ready for 'crazy' Aronimink greens at PGA
-
After backlash, Mexico cancels plan to cut school year for World Cup
-
MD-11, aircraft in fatal crash, cleared for US flight once more
-
England's sizzling Fitzpatricks seek major glory at PGA
-
Leeds draw leaves Spurs in relegation peril
-
Microsoft boss 'proud' of profit-making OpenAI investment
-
Indie series 'Everyone Is Doing Great' returns... on Netflix
-
EU to invite Taliban officials to Brussels for migrant return talks
-
Leeds draw leaves Spurs deep in relegation peril
-
Napoli's Champions League spot in balance after last-gasp Bologna defeat
-
Curacao World Cup preparations rocked as coach resigns
-
US Supreme Court maintains mail access to abortion pill for now
-
Hantavirus ship heads to Netherlands after passengers flown home
-
Trump warns Mideast truce on 'life support', Iran says ready for any aggression
-
Frustrated Trump learns he doesn't have the cards on Iran
-
Cannes Film Festival defends male-dominated competition
-
Patel, Miller lead Delhi to record-breaking win over Punjab
-
Final hantavirus ship evacuations begin after weather delay
-
No longer peripheral: SKorean director makes Cannes history
-
Military strikes, gang massacres in Nigeria kill around 100 civilians
-
SNC Scandic Coin: Real assets meet digital utility
-
SNC Scandic Coin: реальные активы и цифровые возможности
-
Venezuela has 'never considered' becoming 51st US state: acting president
-
Wembanyama escapes playoff suspension after ejection: NBA source
-
Trump to suspend US gas tax as Iran war spikes prices
-
Macron announces 23 bn euros of investment at Africa summit
-
Oil rises, stocks mostly higher on US-Iran deadlock
-
SNC Scandic Coin: поєднання реальних активів та цифрової функціональності
-
Sinner demolishes Popyrin to stroll into Italian Open last 16
-
Dua Lipa sues Samsung in US over use of her likeness on TV box
-
White House press gala shooting suspect pleads not guilty
-
England women's great Mead to leave Arsenal at the end of the season
-
NATO 'could never be more important than today': Canada FM
-
Boycotters Spain, Ireland, Slovenia will not show Eurovision
Italy Oscar-winner Sorrentino says no more Netflix
Already shedding subscribers, Netflix may also be losing some of its big-name directors, with Italian Oscar-winner Paolo Sorrentino telling Cannes on Tuesday that he is finished with streaming platforms.
"Maybe it's because I'm becoming old, but the best thing for me is to try to make things for the big screen," Sorrentino told an audience at the Cannes Film Festival.
The director of "The Great Beauty", which won a foreign language Oscar in 2014, said the "power of the image" could only be fully realised on a big screen.
"With a TV series, it's not easy to remember great images," he said. "I don't (watch) movies done for TV or platforms because I don't find what I'm looking for."
Sorrentino is one of many lauded auteurs -- including Martin Scorsese and Jane Campion -- who have benefitted from Netflix's deep pockets in recent years.
He made TV series "The Young Pope" for the platform, as well as last year's autobiographical film, "The Hand of God".
"The movie I made for Netflix was good for Netflix, but it's not something (I want) to happen again," he said.
The influx of easy money was actually a problem, he added.
"For many filmmakers there was this overdose of chances to do things -- movies, TV series. We started to be very rushed," Sorrentino said.
"A good movie needs time. It was a fake opportunity. It's important to go back to the past."
Netflix announced earlier this year that it had lost subscribers for the first time in a decade, and trimmed staff last week.
Sorrentino's opinion will be music to the ears of the Cannes organisers, who have barred Netflix and other streamers from competing at the festival because they do not give their movies a long-enough period in cinemas.
The 51-year-old director said he was optimistic about the future of cinemas.
"At a certain point, people will get tired of watching films at home," he said.
He also criticised platforms for not using their money to finance new voices.
"Compared to the amount of money that platforms have, I never see that they invest money for younger film-makers, and they could."
H.Silva--PC