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Ogier wins Acropolis Rally to close in on Evans
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South Africa maintain World Cup semi-final hopes with nervy win over Bangladesh
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South Korea president apologises after World Cup group-stage exit
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Japan's Ogura wins maiden MotoGP as Bezzecchi crashes in Assen
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Bergs wins Eastbourne final to clinch first ATP title
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Ravindra and Mitchell strengthen New Zealand's grip on England decider
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Iran warns challenge to Hormuz routes will spike Middle East tensions
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BIS warns 'pressure points' putting global economy at risk
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From rubble to music: Gaza's Oud repairman
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Ntamack aims to bring Toulouse Top 14 win 'energy' to Nations Championship campaign
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Cycling industry bets on smart bikes to boost sales
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'High-strung' camels race in Australian outback
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In Idaho, the next generation of US nuclear reactors nears reality
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Algeria and Austria reach World Cup knockouts after 3-3 thriller
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Africa the winner of expanded World Cup amid mixed fortunes for minnows
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DR Congo advance but Iran out as wild World Cup group stage wraps
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Asia's vendors grapple with rising costs of ever-present plastics
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Austria and Algeria reach World Cup knockouts after 3-3 thriller
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Messi scores again as Argentina head into World Cup last 32 on a high
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Where are they? Dogs disappear before South Korea meat ban
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Wissa proud to deliver World Cup joy to war-torn DR Congo
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China's bull wrestlers fight to keep tradition alive
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South Korea's 'dismal' World Cup ends in group phase
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England top group to set up DR Congo World Cup clash, Portugal held
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Colombia and Portugal through to World Cup last 32 after thrilling draw
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England moving on at World Cup but questions linger
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Wissa sends DR Congo into World Cup last 32 clash with England
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Venezuela quakes kill 1,400 as time running out to find survivors
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A painful wait by a pile of rubble in quake-hit Venezuela
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Australia World Cup goalkeeper Patrick Beach has beach named after him
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Tuchel delighted to have Bellingham in 'sweet spot' for England at World Cup
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Take brutally hot weather seriously, heatstroke survivor warns
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Bellingham says 'job done' but England must improve at World Cup
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Australia boosts shark-spotting drone coverage at Sydney beaches
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Scotland boss Clarke resigns after World Cup exit confirmed: official
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Kane, Bellingham on target as England clinch top spot
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Croatia battle past Ghana to sew up World Cup Last 32 spot
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Bellingham, Kane score as England beat Panama to reach World Cup last 32
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Canada's Davies 'available' for historic knockout clash
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Ryu takes one-shot lead over Henderson at Women's PGA Championship
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Hovland seizes one-shot PGA Travelers lead over Scheffler
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Jangoo and Chase put West Indies in control against Sri Lanka
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Mauvaka double inspires Toulouse to fourth-straight Top 14 in storm-impacted final
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World Cup star Gakpo requests privacy after death of unborn son
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Solidarity, sadness among Venezuelans made destitute by quake
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Aid planes landing at partially reopened Venezuela airport after quakes
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Spain's Williams hits out at Uruguay over World Cup injury
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'We need help': Venezuelans furious at slow official response to quakes
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World's largest particle smasher halts for upgrade to boost hunt for dark matter
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Venus Williams relishes 'very special' Wimbledon reunion with sister Serena
New AI-video tool by maker of ChatGPT worries media creators
A new artificial intelligence tool that promises to create short videos from simple text commands has raised concerns along with questions from artists and media professionals.
OpenAI, the creator of ChatGPT and image generator DALL-E, said Thursday it was testing a text-to-video model called "Sora" that can allow users to create realistic videos with simple prompts.
The San Francisco-based startup says Sora can "generate complex scenes with multiple characters, specific types of motion, and accurate details of the subject and background," but admits it still has limitations, such as possibly "mixing up left and right."
Here are early reactions from industries that could be affected by the new generative artificial intelligence (AI) tool:
- Studios -
Examples of Sora-created clips on OpenAI's website range widely in style and subject, from seemingly real drone footage above a crowded market to an animated bunny-like creature bouncing through a forest.
Thomas Bellenger, founder and art director of Cutback Productions, has been carefully watching the evolution of generative AI image generation.
"There were those who felt that it was an unstoppable groundswell that was progressing at an astonishing rate, and those who just didn't want to see it," said Bellenger, whose France-based company has created large scale visual effects for such touring musicians as Stromae and Justice.
He said the development of generative AI has "created a lot of debate internally" at the company and "a lot of sometimes visceral reactions".
Bellenger noted that Sora has yet to be released, so its capabilities have yet to be tested by the public.
"What is certain is that no one expected such a technological leap forward in just a few weeks," Bellenger said. "It's unheard of."
He said whatever the future holds, they'll "find ways to create differently".
- Video games -
Video game creators are equally likely to be impacted by the new invention, with reaction among the sector divided between those open to embracing a new tool and those fearing it might replace them.
French video game giant Ubisoft hailed the OpenAI announcement as a "quantum leap forward" with the potential to let players and development teams express their imaginations.
"We've been exploring this potential for a long time," a Ubisoft spokesperson told AFP.
Alain Puget, chief of Nantes-based studio Alkemi, said he won't replace any artists with AI tools, which "only reproduce things done by humans".
Nevertheless, Puget noted, this "visually impressive" tool could be used by small studios to produce more professionally rendered images.
While video "cut scenes" that play out occasionally to advance game storylines are different from player-controlled action, Puget expects tools like Sora to eventually be able to replace "the way we do things."
- Truth vs Fiction -
Basile Simon, a former journalist and current Stanford University researcher, thinks there has been "a terrifying leap forward in the last year" when it comes to generative AI allowing realistic-looking fabrications to be rapidly produced.
He dreads the idea of how such tools will be abused during elections and fears the public will "no longer know what to believe".
Julien Pain of French TV channel FranceInfo's fact-checking program "Vrai ou Faux" (True or False) says he's also worried about abuse of AI tools.
"Until now, it was easy enough to spot fake images, for example by noticing the repetitive faces in the background," Pain said.
"What this new software does seems to be on another level."
While OpenAI and US tech titans may promote safety tools, such as industry-wide watermarks that reveal AI-created imagery, "what about tomorrow's competitors in China and Russia?", he posited.
- Advertising -
The Fred & Farid agency, which has collaborated with the Longchamp and Budweiser brands and where a studio dedicated to AI was opened in early January, anticipates that "80 percent of brand content will be generated by artificial intelligence".
"Creative genius" will no longer be limited by production skills thanks to generative AI tools, one enthusiast contended.
Stephanie Laporte, chief executive and founder of the OTTA advertising and influencer agency, believes the technology will "force the industry to evolve".
She also anticipates ad companies with lean budgets will resort to AI tools to save money on workers.
A possible exception, she believes, is the luxury segment, where brands are "very sensitive to authenticity" and "will probably use AI sparingly".
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F.Moura--PC