-
Mideast war impact on travel bookings fading, TUI says
-
Japan brushes off Australian PM's melon drama
-
Bangladesh get Das fitness boost for daunting Australia task
-
Rod Stewart cancels tour dates after heart surgery
-
One dead, 172 rescued as second ferry in days catches fire in Indonesia
-
How Britain's mapmakers track climate change
-
Foxconn posts quarterly profit surge on AI server demand
-
Australian delivery drivers win 'world-leading' pay rise
-
Hazlewood gets Australia nod ahead of Boland for Bangladesh Test
-
Meta meets its own 'tobacco' moment in court
-
Toyota ex-chief Okuda, pioneer of the Prius, dead at 93
-
Art or medicine? Japan's cosmetic tattoo artists in limbo
-
Colombia rescuers find woman alive as quake death toll passes 200
-
Rybakina ousts Osaka to book Toronto semi-final against Gauff
-
New Zealand PM survives leadership challenge months from election
-
Colombia rescuers find woman alive as quake death toll passes 240
-
Passengers rescued as second ferry in days catches fire in Indonesia
-
Charges dropped against Bondi Beach attack hero
-
Oil prices rise, stocks mixed ahead of crucial US inflation data
-
Parched and desperate for rain, Kazakhstan turns to cloud-seeding
-
UK 'joke' candidate Binface pushes serious point about politics
-
The perfect storm that turbocharged Venezuela's twin quakes
-
New Zealand PM Luxon survives leadership challenge months from election
-
2.4 million girls banned from Afghan schools since Taliban return: UNESCO
-
Cuba celebrates Castro's 100th as his revolution faces its toughest test
-
Colombians dig through rubble as quake death toll surpasses 240
-
Defending champion Shelton rolls into Montreal semis
-
New Zealand's ruling party meets to decide PM Luxon's fate
-
What to know about the total solar eclipse
-
Total solar eclipse to spellbind Europe
-
Tentoglou claims fourth Euro long jump title, injured Jacobs falters
-
Jodar, Nakashima to make Masters semis debuts in Montreal
-
All Blacks knew Nonu would perform solo Haka - coach Rennie
-
Chilean veteran Sanchez signs with MLS club Montreal
-
Britain's Glave upstages Jacobs to win European 100m gold
-
Cristiano Ronaldo marries long-term partner Georgina Rodriguez
-
Greece's Tentoglou wins fourth European long jump title
-
Oil prices higher, stocks mixed ahead of inflation report
-
Doctors ignored 'warning signs' before Maradona's death, court hears
-
Jacobs into 100m final with eye on third title
-
Pereira, the 'zombie city' devastated by Colombia's earthquake
-
Eight-try New Zealand cruise to tour victory over Sharks
-
UN says 2 staff arrested by Afghan intelligence agency
-
Trump's secret plane swap triggers questions and confusion
-
Colombia scrambles to find survivors as quake kills 240
-
California calls Paramount's threat to leave state 'blackmail'
-
Ramsay-Peaty out of medals as Italy's Martinenghi wins European gold
-
PSG 'want to win everything', says Luis Enrique
-
AI firm Manus to resume 'independent' operations after China blocks Meta deal
-
Barred from elections, Russia's anti-war party vows to fight on
Reality has no allure for Mexico's Oscar-winning director at Venice
It is one of the most unforgettable opening scenes to play at the Venice Film Festival: a baby pushed back into its mother because, he informs the doctor, who would want to live in this screwed-up world?
That was the fantastical and audacious opening that marked Alejandro Gonzalez Inarritu's return to the big screen on Thursday, after a seven-year hiatus following back-to-back Oscars.
"BARDO, False Chronicle of a Handful of Truths" is a deeply personal film that brings the director back to his home country of Mexico following two Best Director Academy Awards in 2015 and 2016 for "Birdman" and "The Revenant".
The film "wasn't developed by my mind, but by my heart", he told journalists, calling the nearly three-hour Netflix film an "emotional reinterpretation of a memory".
The film centres on journalist played by Daniel Gimenez Cacho about to accept a major prize in America -- success that sparks an existential, mid-life crisis and increasingly fuzzy lines between reality and memory.
"Every time, I'm less interested in reality in film," Inarritu said, calling it "limbo".
Featuring sweeping dreamscapes involving the parched Mexican desert, a post-apocalyptic Mexico City and the ruins of an Aztec citadel, the film is anchored by real-world relationships, between fathers and sons, husbands and wives, or even people and their homelands.
- Cortez and criminals -
We see Mexico's pained history in dreams -- scores of natives massacred by Cortes' 16th century invaders, or Mexican patriots desperately fending off US troops in the Mexican-American war -- as well as today's reality in the form of migrants making perilous attempts to cross the US border.
In one scene, heaps of plantains pile up in a deserted Mexico City street, as "desaparecedos" -- the tens of thousands of disappeared Mexicans abducted by criminal gangs or the state -- fall from the sky.
Racial and social inequalities within Mexican society are touched upon, but with a lighter touch than seen in "New Order" by Michel Franco, a violent, searing indictment of the gap between Mexico's rich and poor that won Venice's Grand Jury prize in 2020.
"Mexico is not a country, it's a mental state for me," said Inarritu, who said he wanted to examine the "longing" for one's country after having himself left Mexico for Los Angeles over two decades ago.
"But when you get far away from that place and when time goes by, this state of mind dissolves and changes."
V.F.Barreira--PC