-
Fit-again France captain Dupont partners Jalibert against Ireland
-
French summons Musk for 'voluntary interview' as authorities raid X offices
-
IOC chief Coventry calls for focus on sport, not politics
-
McNeil's partner hits out at 'brutal' football industry after Palace move collapses
-
Proud moment as Prendergast brothers picked to start for Ireland
-
Germany has highest share of older workers in EU
-
Teen swims four hours to save family lost at sea off Australia
-
Ethiopia denies Trump claim mega-dam was financed by US
-
Russia resumes strikes on freezing Ukrainian capital ahead of talks
-
Malaysian court acquits French man on drug charges
-
Switch 2 sales boost Nintendo results but chip shortage looms
-
From rations to G20's doorstep: Poland savours economic 'miracle'
-
Russia resumes strikes on freezing Ukrainian capital
-
'Way too far': Latino Trump voters shocked by Minneapolis crackdown
-
England and Brook seek redemption at T20 World Cup
-
Coach Gambhir under pressure as India aim for back-to-back T20 triumphs
-
'Helmets off': NFL stars open up as Super Bowl circus begins
-
Japan coach Jones says 'fair' World Cup schedule helps small teams
-
Do not write Ireland off as a rugby force, says ex-prop Ross
-
Winter Olympics 2026: AFP guide to Alpine Skiing races
-
Winter Olympics to showcase Italian venues and global tensions
-
Buoyant England eager to end Franco-Irish grip on Six Nations
-
China to ban hidden car door handles in industry shift
-
Sengun leads Rockets past Pacers, Ball leads Hornets fightback
-
Waymo raises $16 bn to fuel global robotaxi expansion
-
Netflix to livestream BTS comeback concert in K-pop mega event
-
Rural India powers global AI models
-
Equities, metals, oil rebound after Asia-wide rout
-
Bencic, Svitolina make history as mothers inside tennis top 10
-
Italy's spread-out Olympics face transport challenge
-
Son of Norway crown princess stands trial for multiple rapes
-
Side hustle: Part-time refs take charge of Super Bowl
-
Paying for a selfie: Rome starts charging for Trevi Fountain
-
Faced with Trump, Pope Leo opts for indirect diplomacy
-
NFL chief expects Bad Bunny to unite Super Bowl audience
-
Australia's Hazlewood to miss start of T20 World Cup
-
Bill, Hillary Clinton to testify in US House Epstein probe
-
Cuba confirms 'communications' with US, but says no negotiations yet
-
From 'watch his ass' to White House talks for Trump and Petro
-
Trump says not 'ripping' down Kennedy Center -- much
-
Sunderland rout 'childish' Burnley
-
Musk merges xAI into SpaceX in bid to build space data centers
-
Former France striker Benzema switches Saudi clubs
-
Sunderland rout hapless Burnley
-
Costa Rican president-elect looks to Bukele for help against crime
-
Hosts Australia to open Rugby World Cup against Hong Kong
-
New York records 13 cold-related deaths since late January
-
In post-Maduro Venezuela, pro- and anti-government workers march for better pay
-
Romero slams 'disgraceful' Spurs squad depth
-
Trump says India, US strike trade deal
Italy's horror king seeks 'meaning' in schlock
Call girls in jeopardy, a serial killer on the loose, fountains of blood -- horror master Dario Argento has returned to filmmaking after a 10-year hiatus, saying Friday it's been his mission to bring "meaning" to schlock.
The Italian director who inspired generations of filmmakers including Quentin Tarantino premiered his latest thriller "Dark Glasses" co-starring his daughter Asia at the Berlin film festival.
Argento, 81, is known for dozens of gore-spattered flicks including 1977's legendary "Suspiria" about witches, dance and psychoanalysis in Cold War West Berlin.
The new movie, Argento's first since 2012's "Dracula 3D", tells the story of sex worker Diana who serves her sad sack clients in Rome with dignity and respect.
But when one arrives at her home stinking of the dogs he trains for a living, she sends him away to shower first -- a "humiliation" that enrages him.
Meanwhile a murderer is targeting prostitutes and Diana finds herself followed in her car by a speeding white van that runs her off the road.
The crash leaves her blind and a Chinese couple is fatally injured in the pile-up, while their young son Chin is in the back seat.
Diana is placed in the care of an advisor to the blind (Asia Argento) who provides her with a female seeing-eye dog, German shepherd Nerea, to guide and protect her.
Chin, now in a Catholic care home, runs away from the nuns and winds up on Diana's doorstep.
- 'The police do nothing' -
Diana, Chin and Nerea soon come under siege by the killer who wants to finish the job. They seek help from the ineffectual police but realise only they can save themselves.
Argento said many horror pictures by his imitators lacked "meaning" and that he was interested in a story of a woman who seeks her own justice when the authorities let her down.
Asked if he had been inspired by the #MeToo movement his daughter Asia helped spark, he said the film and her story were unrelated.
"This is nothing new," he told AFP.
"This has always happened -– women experience violence and go to the police and the police do nothing. It has nothing to do with #MeToo."
Asia Argento's revelations five years ago that she had been raped by the US producer Harvey Weinstein in 1997 at the age of 21 helped trigger the campaign by assault survivors.
An actress and director, Asia Argento's earliest screen appearances included roles in many of her father's productions.
Her autobiography last year depicted a wild but painful childhood in Rome, trapped with a neglectful father and violent mother.
The 46-year-old told reporters at the festival she was pleased to be back in front of her father's camera.
"Years have passed since our last movie so I could mature," she said.
"This is an Argento movie. Nobody can do an Argento movie like an Argento -- it is his fantasy world, his dream, his nightmares."
Although proud of his impact on global cinema, the director admitted he hadn't cared for the 2018 remake of "Suspiria" by Oscar-winning filmmaker Luca Guadagnino starring Dakota Johnson and Tilda Swinton.
"I didn't like 'Suspiria' at all, it was all wrong. The music was disgusting, there was no pathos," he said.
"There's no reason to remake the films -- they were made at that time and that's enough. The only reason would be for the money."
P.Serra--PC