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Wes Anderson and his A-list army dazzle at Cannes
US director Wes Anderson brought his latest A-list cast led by Benicio del Toro to the Cannes film festival on Sunday, ramping up the star power as the competition reaches the halfway mark.
Anderson's typically whimsical "The Phoenician Scheme", which also finds roles for Tom Hanks, Scarlett Johansson and Kate Winslet's daughter, Mia Threapleton, is in the running for the top prize at Cannes.
It tells the story of risk-taking and accident-prone European tycoon Zsa-zsa Korda, played by del Toro, a character loosely based on Anderson's Lebanese father-in-law.
"He was a completely different sort of person, but he was an engineer and quite alpha," the director told AFP.
"His relationship with my wife is probably the DNA of the movie. He told her one day, 'I need to tell you about how my business works because I won't live forever.'
But "the way he told her about his business was he opened a closet and started taking out shoeboxes and said, 'This is the project that we are doing in Saudi. This is the project we are doing in Gibraltar," Anderson added.
"She came home and she said, 'This is crazy.' So all of that went in the movie. Sorry," said the maker of such quirky hits as "Asteroid City", "The Grand Budapest Hotel" and "The Darjeeling Limited".
With Anderson's film always thick with stars, the film's red-carpet premiere was packed with stars, with Edward Norton, Julianne Moore, Benedict Cumberbatch and Oscar-winning director Guillermo del Toro also in town.
- Nigeria's big moment -
Fellow A-listers Jennifer Lawrence and Robert Pattinson were also on the Croisette promenade on Sunday, a day after the premiere of their in-competition film "Die, My Love" by Scottish director Lynne Ramsay.
Australia's Nicole Kidman picked up a Kering Women In Motion award, meanwhile, where she lamented the still "incredibly low" number of women directors in the movie business.
Sunday also saw the premiere of Nigeria's first film in an official slot at Cannes.
"My Father's Shadow", the debut feature of newcomer Akinola Davies is set during a 1993 coup, a pivotal moment in Nigeria's recent history, when the military annulled the election and General Sani Abacha eventually took power.
"Getting into competition for the first time ever shows that Nigerian cinema has come of age," Prince Baba Agba, a cultural advisor to Nigeria's President Bola Tinubu, told AFP.
Culture Minister Hannatu Musawa led the large and stylish Nigerian presence on the red carpet for the premiere.
P.Queiroz--PC